ECTS - Alternative Photography and Darkroom Techniques

Alternative Photography and Darkroom Techniques (GRT428) Course Detail

Course Name Course Code Season Lecture Hours Application Hours Lab Hours Credit ECTS
Alternative Photography and Darkroom Techniques GRT428 2 2 0 3 6
Pre-requisite Course(s)
N/A
Course Language Turkish
Course Type N/A
Course Level Bachelor’s Degree (First Cycle)
Mode of Delivery Face To Face
Learning and Teaching Strategies Lecture, Drill and Practice.
Course Coordinator
Course Lecturer(s)
  • Asst. Prof. Dr. Doğu Gündoğdu
Course Assistants
Course Objectives - History of photography and knowledge of photography. - Basic darkroom knowledge. - To be able to wash black and white film in the dark room. - Printing black and white photographs. - Alternative photography knowledge. - Knowledge of Cyanotype, Salt Print, Gumbichromat, Van Dyke alternative printing techniques. - To be able to produce alternative photographs using Cyanotype, Salt Print, Gumbichromat, Van Dyke techniques.
Course Learning Outcomes The students who succeeded in this course;
  • - Describes the history of photography. - Gives information about the basic darkroom. - Black and white film washes in the dark room. - Prints black and white photographs. - Describes alternative photography. - Describes Cyanotype, Salt Print, Gumbichromat, Van Dyke alternative printing techniques. - Produces alternative photographs using Cyanotype, Salt Print, Gumbichromat, Van Dyke techniques. - Produces hybrid prints. - Criticizes the produced photographs.
Course Content History of photography; darkroom basics, developing b/w negatives and printingwith enlarger in darkroom; knowledge of alternative photography, learning and making prints with alternative photo printing techniques such as Cyanotype, Salt Print, Gum bichromate and Van Dyke.

Weekly Subjects and Releated Preparation Studies

Week Subjects Preparation
1 Course description, aim, teaching style and examples.
2 Explaining the historical development of photography
3 Examination of the characteristics of printing techniques developed in the historical process of photography
4 Explaining the theory of black and white photography
5 Deciding and discussing shooting subjects
6 Black and white film developing
7 Darkroom use and card printing
8 Explanation of Cyanotype technique
9 Explaining the Van Dyke Technique
10 Explaining Gum Bichromate
11 Explaining Salt Print Technique
12 Experimental examples: Work on applications based on the use of different techniques separately and in combination
13 Identification of original applications with inferences from experimental applications
14 Project Implementation
15 General Exam

Sources

Other Sources 1. • Adams, Ansel. 1981. The Negative. Boston: New York Graphic Society.
2. • Doğu Gündoğdu, Sanat objesi olarak kitap ve alternatif fotoğrafçılık teknikleri kullanılarak sanatçı kitabı tasarlanması, Hacettepe Üniversitesi, 2017, Ankara
3. • James, Christopher. 2009. Alternative Photographic Processes. New York: Delmar.
4. • Marsh, Anne. 2003. The Darkroom: Photography and the Theathre of Desire. Victoria: Macmillan Publishers.
5. • Topçuoğlu, Nazif. 2010. Fotoğraf Ölmedi Ama Tuhaf Kokuyor. Istanbul: Yapı Kredi Yayınları.
6. • Reeder, Ron. 2010. Digital Negatives for Palladium and other Alternative Photo Processes. Ron Reeder.
7. • Serdar Bilici, Alternative Photography In The Digital Age: Perfect Photographs In An • Imperfect Way, İhsan Doğramacı Bilkent Üniversitesi, Ankara, 2013
8. • Özer Kamburoğlu, A’dan Z’ye Fotoğraf, Say Yayınları, 2013

Evaluation System

Requirements Number Percentage of Grade
Attendance/Participation - -
Laboratory - -
Application - -
Field Work - -
Special Course Internship - -
Quizzes/Studio Critics - -
Homework Assignments - -
Presentation - -
Project 4 25
Report - -
Seminar - -
Midterms Exams/Midterms Jury - -
Final Exam/Final Jury - -
Toplam 4 25
Percentage of Semester Work
Percentage of Final Work 100
Total 100

Course Category

Core Courses X
Major Area Courses
Supportive Courses
Media and Managment Skills Courses
Transferable Skill Courses

The Relation Between Course Learning Competencies and Program Qualifications

# Program Qualifications / Competencies Level of Contribution
1 2 3 4 5
1 Acquires Art and Design culture and aesthetic knowledge, theoretical and applied knowledge about the discipline.
2 Knows the legal regulations and processes about Art and Design.
3 Has knowledge about interdisciplinary interaction associated with the relevant field of Art and Design. X
4 Describes the concepts, ideas, facts, and problems related with the field; perceives, designs, and applies them multi-dimensionally.
5 Evaluates interaction with sub-disciplines related with the field, uses the information creatively. X
6 Works, undertakes responsibility, and carries out plans individually and as a group member. X
7 Identifies the learning requirements about the field, and directs his learning within a lifelong sense of social conscience. X
8 Uses information and communication technologies required by the field at least at an advanced level of Europe Computer Literacy License.
9 Follows new information relevant with the field and communicates with colleagues using a foreign language (Europe Language Portfolio General Level: B1 Level).
10 Creates projects supporting solution suggestions to problems in his field with qualified and quantified data; shares them with experts and non-experts.
11 Converts concrete and abstract concepts into creative thinking, innovative and original products, analyzes the acquired information and skills with a critical approach. X
12 Is aware of national and international values of art and design, and acts in accordance with ethical values. X
13 Has knowledge, equipment, and aesthetic awareness about art culture and history that is necessary for carrying out successful studies related with the discipline. X
14 Has enough awareness about the universality of social rights, social justice, quality culture, and protection of cultural values and environment, occupational health and safety.

ECTS/Workload Table

Activities Number Duration (Hours) Total Workload
Course Hours (Including Exam Week: 16 x Total Hours) 16 4 64
Laboratory
Application
Special Course Internship
Field Work
Study Hours Out of Class 10 4 40
Presentation/Seminar Prepration
Project
Report
Homework Assignments 3 10 30
Quizzes/Studio Critics
Prepration of Midterm Exams/Midterm Jury 1 8 8
Prepration of Final Exams/Final Jury 1 8 8
Total Workload 150